Gurriers in Warsaw! The Dublin-based band, which has established itself as one of the most important new voices in the Irish alternative scene, will play at Hybrydy on November 23. Enola Gay will be the support act.
➡️ Limited Alter Art presale begins on May 21 at 10:00 AM at alterart.pl/wydarzenia/gurriers
➡️ General ticket sale begins on May 22 at 10:00 AM
Dublin’s Gurriers return with the announcement of their much anticipated second album, „Nobody’s Coming To Save You”, released on 25 September 2026 via their new label home, Play It Again Sam. Alongside the announcement, the band shared the album’s fierce and unflinching title track and accompanying video, “Nobody’s Coming To Save You”, ahead of an extensive UK and European headline tour this autumn.
The new single arrives as Gurriers continue their rapid ascent following the release of their acclaimed 2024 debut album, „Come And See”, which cemented them as one of the most vital new voices emerging from Ireland’s thriving alternative scene. It also follows recent single „Erasure” a live favourite among fans. „Nobody’s Coming To Save You” was produced by Mark Bowen (Idles) and Loren Humphrey (Geese, Cameron Winter), alongside engineer Chris Fullard (Idles, Sunn O)))) and mixed by John Congleton (St. Vincent, Modest Mouse, Swans). The album captures Gurriers scaling up every element that made their debut so compelling - sharper dynamics, towering production and an even more urgent worldview.
Formed during the pandemic, Gurriers quickly built a reputation for bone-rattling, mosh-ready live shows and sharp, socially conscious songwriting. On „Nobody’s Coming To Save You”, Gurriers channel the spirit of protest, resistance and personal reflection into some of their most ambitious material to date. This is Gurriers taking all the musical chemistry and smart, interrogational worldview that made them great in the first place, and souping it up to the next level. From the rattling tension of the title track’s opening moments, to slow-burning intensity and dance-punk hedonism, giving way to a cacophonous, cathartic climax, „Nobody’s Coming To Save You” takes this spirit of the sweaty basement venue and turns it stadium-sized. It’s not just loud, but dynamic.
