Dry Cleaning

support: Dead Finks


Monday, 27.03.2023
Hybrydy, Warsaw

19:00 – otwarcie drzwi

20:00 – support: Dead Finks

21:00 – Dry Cleaning



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Due to the state of epidemic threat announced in Poland, the Organizer informs, that in order to counter the spread of SARS-CoV-2 virus, in accordance to the Polish law, as well as guidelines and recommendations from proper administrative bodies, the Attendees may be obliged to carry means of personal protection (specified in currently valid laws, guidelines and recommendations) at the event site, as well as obey the warrants, prohibitions, and restrictions in force.
Information on the conditions of attending the event, as well as the currently valid rules of conduct will be available at www.alterart.pl 7 days before the Event at the latest. The Information may change.
The Attendee is obliged to get acquainted with the currently valid rules of conduct and conditions of attendance, as well as the Terms And Conditions of the Event.

Having already started writing their second record before New Long Legwas released, Nick Buxton, Tom Dowse, Lewis Maynard and Florence Shaw returned to Rockfield Studios with producer John Parish with the plan to spend twice as much time on the follow-up. Vocalist Shaw demonstrated increased spontaneity in the studio, improvising many of her lyrics straight on to the album. The lyrics are almost entirely observational. There is one quote from the artist Maggi Hambling on the woozy title track, text from an old Macintosh computer virus on‘Don’t Press Me’, and snippets from the press cuttings library of archivist Edda Tasiemka scattered throughout, but the use of ‘found lyrics’ employed in the band’s early years is now far in the past. “I wrote about the things that preoccupied me over this period, like loss, masculinity, feminism, my mum, being separated from my partner for little stretches in the lockdown, lust,” she continues, preoccupations from which wider political and social commentary emerges. “I think if you make something observational, which I think I do, it’s political,” Shaw says. “There were two murders of women in London that were extensively covered on the news, and the specific details of one of those murders were reported on whilst we were at Rockfield. That coverage influenced some of my writing and my state of mind. ”The band’s instrumentation, too, may well reflect our increasingly bleak socio-political landscape, the way it can pick up intense and urgent momentum, or zone out into icy detachment. Stumpwork was made in the aftermath of the death of two very important people to the band as well, bassist Lewis Maynard’s mother, and guitarist Tom Dowse’s grandfather. Both were instrumental in the band’s development, in encouragement and, in the case of Maynard’smother, literally providing the band with a place to rehearse. “It’s of course devastating to lose close family members but their legacy in Dry Cleaning is wholly positive,” says Dowse. “The moments in the songs which are upbeat and joyful made me thinkof them both the most. ”The breadth of influences on Stumpworkis dizzying, a definitive rebuke to those who might reduce Dry Cleaning as a post-punk band. Their music is bolder and more expansive, Shaw’slyrics explore not only loss and detachment but all the twists and turns, simple joys and minor gripes of human experience too. Ultimately, what emerges from it all is a subtle but assertive optimism, and a lesson in the value of curiosity. As Shaw sings on ‘Kwenchy Kups’,“Things are shit, but they’re gonna be OK.”



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Applications will be accepted until March 20, 2023.

The information about granted accreditations will be sent from March 20 until March 22, 2023.